Last edited by Kazil
Saturday, February 1, 2020 | History

8 edition of The insulted and injured found in the catalog.

The insulted and injured

Fyodor Dostoevsky

The insulted and injured

  • 261 Want to read
  • 16 Currently reading

Published by Heinemann in Melbourne .
Written in English


Edition Notes

StatementFyodor, Dostoevsky ; translated from the Russian by Constance Garnett.
SeriesThe novels of Fyodor Dostoevsky
ContributionsGarnett, Constance Black, 1862-1946
The Physical Object
Pagination333 p. ;
Number of Pages333
ID Numbers
Open LibraryOL18026648M

It is crazy that many have not heard of this novel! This weakness is apparent in Dostoevsky's characterizations as well, as nearly everyone in this novel is in a near constant state of delirious emotional upheaval, convulsing often literally after every confrontation, as the narrator rushes from one scene to the next with no respite even in dreams. His characters are complicated; they are real. He was the youngest of eleven children. More questions arise. Alyosha is the saintly but dimwitted son of Prince Valkovsky, who hopes to gain financially by marrying Alyosha off to an heiress, Katya.

Which will not? Even the most malevolent of them all is not a cardboard figure. Also in This Issue. His male intonations are somewhat better but here the pacing is off. How does one define genuine love? By the end, Dostoyevsky has cleverly intertwined the two.

The wrong words are emphasized. You think about this because Dostoyevsky draws each so realistically. What I like about Dostoevsky is that it is always the poor and the humiliated who have the pure heart. You vied for the characters and they became real in their actions, thoughts, and feelings. This book is amazong.


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The insulted and injured book

The Insulted and Injured

It focuses on character portrayal. But he never hoarded his suffering, never saw it as a privilege, as something that fell only on him.

The Insulted and Humiliated

From the above one cannot determine if the story will pull you in. It is as if the survivor, living on when so many have died, felt the need to live out in his own person the unfulfilled lives of all his companions: felt, indeed, the pressure of all the dead, demanding that he should realize their possibilities, live for them, act out their histories.

Is love explainable? I wanted to know what would happen. Does love demand sacrifice? The narrator Vanya is telling a story about himself, a girl he once loved Natasha and a young girl Nellie who strangely crosses his path.

You think about this because Dostoyevsky draws each so realistically. Each has an identity that pushes you to relate to them and to compare them to people your yourself know. He is constantly torn between these two women, too indecisive and infatuated with both to make a decision.

The latter is the son of Prince Valkovski, a cruel and manipulative man responsible for the humiliation of Natasha's father. Each character is again an exaggerated "type," although they are more involving and believable than in Dostoevsky's prior work, and seem based in part on his experience of individuals he knew in reality.

Ivan desperately loves Natacha, who loves another, the rich Alyosha. There are those like his son Alyosha—they charm you, they are easy to like even though you know they are weak, evasive and constantly prevaricate.

By the end, Dostoyevsky has cleverly intertwined the two. Seeking sanctuary with an old family servant, he is compelled to act the part of a deaf-mute under the eyes of the inquisitive villagers, who first accept him with pity but soon begin to use him as a confidant for their sins and troubles; since he can apparently neither hear what they say nor answer back, he is the ideal scapegoat to lighten their burdens, and even the village priest puts Gregor in the confessional box and confesses to him.

In attempt to make Nikolai Natasha's father reconcile with Natasha, Ivan persuades Nikolai and his wife to adopt Nellie. Do we draw it out to feel sorry for ourself? Featuring five new chapters, this new edition dispels potentially dangerous misconceptions about Putin and offers a clear-eyed look at his objectives.

Even the most malevolent of them all is not a cardboard figure. The Insulted and Injured is a beautiful, painful novel. Wiesel has already written a documentary account of his experience in his shattering short book Night ; now, in The Gates of the Forest, he works over the theme again, this time not only as a witness and victim but in the spirit of a man trying to solve an urgent philosophical problem: Having survived, how can we go on living in a world where such things happen?

One deals with Vanya's close friend and former love object, Natasha, who has left her family to live with her new lover, Alyosha.

It is an interesting question. It's unusual to see a well-developed character as young as Nellie in a Dostoyevsky novel, but Nellie may be one of his most moving creations, and she in particular shows the influence of Dickens Dostoyevsky is known to have read Dickens during the Siberian exile.

Are we searching for pity or do we do this to get solace from loved ones? In this social fresco, we find the art of Dostoevsky's story and his incredible talent for describing human feelings. How does he look at the outside world?

There's Mr. In the first, a woman falls in love but this love becomes her suffering because of the naivety and indecision of her beloved, the second one concerns a 13 year old girl who carries a tragic story and seeks only affection and kindness.

Here we have a neat allegory of the history of the Jew in modern Europe; but that is only the beginning for Mr. Just enough information is given so that readers can draw their own conclusion on how events will play out in the future. It may not be as deep philosophically as either of those, but trust me, it aches your heart all the more for it.

All this in a very moving novel in which the writer makes us in his own unique way to become participants in the suffering of our heroes and to experience all the difficulties of their lives, with the constant humiliating situations that lead to particular psychological processes that we can understand as they are familiar to us.Elie Wiesel, who as a child was deported to Auschwitz and survived only by a remote chance, has experienced in his own person the ravages of an evil so vile as to be almost beyond comprehension; and he has courageously set himself the task of comprehending it in literature.

Wiesel has already written a documentary [ ]. May 09,  · For Dostoyevsky, whose writings in general I love, this is a very tightly knit book.

The plot moves along nicely without stalling. The characters, who are wonderfully depicted and never shallow, do not assail the reader with meandering inane monoloques as is the case in /5(3).

Insulted and Injured. Grove Black Cat, First Thus. Mass Market PaperBack. Used - Very Good. Item # ISBN: BYO Faintest of shelfwear; else, near fine. Used Book Out of stock. "The Insulted and Injured, which came out inwas Fyodor Dostoevsky's first major work of fiction after his Siberian exile and the first of the long novels that made him famous.

Set in nineteenth-century Petersburg, this gripping novel features a vividly drawn set of characters - including Vanya (Dostoevsky's semi-autobiographical hero), Natasha (the woman he loves), and Alyosha (Natasha. Aug 27,  · The insulted and injured person of the title you expect will be Natasha, but in fact it refers also to Natasha's father, to the orphan Nellie, Nellie's mother--in fact, it seems as if everyone in the book is insulted and injured, except the villain, Prince Valkovsky; and Prince Valkovsky no doubt considers himself insulted and atlasbowling.com by: 3.

The Insulted and the Injured. Fyodor Dostoyevsky Translated by Constance Garnett. This web edition published by [email protected] Last updated Wednesday, December 17, at To the best of our knowledge, the text of this.